Limestone Figurative Sculptures

Ducks by Josette HEBERT-COEFFIN (1906-1973) Sculpture made in stone signed on the base "J. H. Coëffin" France circa 1930 height 10 cm width 16,5 cm depth 14,1 cm Biography : Jose...

Head of apostle or Christ in carved limestone. Elongated face with a large forehead and long hair with thick wavy locks on the sides. The almond-shaped eyes are underlined by the hem...

This listing is just for the sculpture. (the picture of the ad is for reference and is not included.) Marie Zoe Greene-Mercier was an artist, writer and arts activist who worked in t...

Shelli Langdale's "King of Pain" is an original, handmade sculpture that depicts a majestic white horse. Artist Bio: Shelli Langdale is an oil painter living and painting in Chatta...

This is a unique sculpture made of a bulding block in limestone from Notre Dame in 1949 by Einar Norman. Gustav Einar Norman, born 12 February 1896 in Avesta, died 28 October 1950 i...

Designed as entrance guardians, this pair of mythical lady sphinx statuary display the head and chest of a neoclassical woman and the body of a recumbent lion on a rectangular stone ...

Four Caryatids sculptures with classically draped figures and their distinguishing symbols. Autumn, winter, spring and summer. Measures: Height with square form bases cm 220. Time...

St. Jerome 347 Stridon, Croatia - 420 Bethlehem Around 1500/20 Limestone Remains of the original polychromy Height 45 cm The man with the holy name! 347 Stridon, Croation – 420 Be...

This unique cyanotype on limestone was created by Alexandre Onimus during a art residency in Versaille, France. The artist: Alexandre Onimus is a contemporary artist and photograph...

Designed as entrance guardians, this pair of mythical lady sphinx statuary display the head and chest of a neoclassical woman and the body of a recumbent lion on a rectangular stone ...

"Committed" maquette by Denny Haskew Cast ​Bronze on Travertine and Walnut Base Signed and Numbered AP/25* 38"h 15"w 10"d *This limited edition is sold out, the available piece is t...

Monumental classically draped female figures and their distinguishing symbols on a square base. Autumn, winter, spring and summer. Measures: Height of the sculptures cm 190 with squ...

Relief with saint Georges France, 15th Century limestone 26 x 20 cm (10 1/4 x 7 3/4 in) without base

Finely carved mythological subject in Vicenza limestone of Apollo in Excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: St...

Finely carved mythological subject in white Carrara marble of Apollo head .

By Bob Ragan Two Indiana Limestone caryatid sculptures Dimensions and Weight for each: 73" x 21.5" x 20.3", 2000 lbs About the Artist: Bob Ragan is...

By Bob Ragan 34" x 17" x 15" Texas Limestone 675 lbs About the Artist: Bob Ragan is a nationally recognized master stone carver who has spent a lifetime stu...

By Bob Ragan 34.5" x 17" x 17" Texas Limestone 620 lbs

By Bob Ragan Indiana Limestone 36" x 12" x 9.5" 319 lbs

By Bob Ragan 49" x 17" x 17" Texas Limestone 600 lbs About the Artist: Bob Ragan is a nationally recognized master stone carver who has spent a lifetime studying art and architectur...

By Bob Ragan 36" x 11" x 8" Texas "Rattlesnake" Limestone and natural deer antler 230 lbs About the Artist: Bob Ragan is a nationally recognized master ston...

Abstract sculpture titled "Night at the Opera" by Bob Ragan 24 x 12 x 12 Texas Limestone 240

By Bob Ragan 30 x 12 x 10.5 inch Texas Limestone 260 lbs

By Bob Ragan Texas Limestone 36 x 14 x 14 inches 485 lbs

Limestone sculpture of buildings by Bob Ragan 21" x 5" x 43" Texas Limestone

This reproduction of a classical Hellenistic sculpture of Hercules . A timeless piece for interior and a garden decoration. We can raise with a base on request .

"Lady with a book" also known as "St. Suzanne" by Jan & Joël MARTEL (1896-1966) Sculpture in stone from Euville France circa 1935 height of the sculpture : 125 cm width of base : 25,4 x 21,2 cm total height with wooden base : 141 cm width of the wooden socle : 31 x 26 cm A similar model is reproduced in "Joël et Jan Martel, sculpteurs, 1896-1966", Ed. Gallimard Electa, 1996, page 150. Biography : The twins Jan and Joël Martel, born March 5, 1896 in Nantes and died respectively on March 16 and September 25, 1966 in Bois-de-Céné, were both of them French sculptors and decorators. As Parisian artists, they spent long moments in Vendée region, in their Mollin property, or in Saint-Jean-de-Monts, city in which one can see their last monumental work: "The Sea Birds". Their works were sculptures, monuments or fountains of Art Deco or Cubist inspiration. They also realized around 1920 interior fittings for villas. Jan and Joel Martel shared the same workshop and their work to the point of signing their compositions only by "Martel". The Martel brothers...

Finely carved mythological subject in Lecce limestone of Aria a Roman Goddness . Excellent condition from an estate of Veneto. Measurements: Statue cm 160, base cm 85.

Designed as entrance guardians, this pair of mythical lady sphinx statuary display the head and chest of a neoclassical woman and the body of a recu...

This reproduction of a classical Hellenistic sculpture of Hercules . A timeless piece for interior and a garden decoration. We can raise with a base on request .

Bust of Gothic Virgin. Lorraine 14th century. Important bust of Saint or Virgin of the Annunciation. Life size veiled woman. Full-featured face with almond-shaped eyes and large locks of curly wawy hair...

Large crowned queen's head with trace of polychromy in half-bump. The crown features a fleur-de-lis and cabochons. The almond-shaped eyes are framed by well-marked eyelids with incis...

ANCIENT DEITY Seated representation of God Southern Arabia Pre sabean 2nd - 1st millennium BC. Oolite limestone Height 24,5 cm Comparable works in the British Museum/London ...

White stone head in the art deco style. Born in Lithuania at the end of the nineteenth century, Boris Lovet-Lorski studied art at the Imperial Academy of Art in St. Petersburg before working briefly as an architect. He immigrated to New York in 1920 and became an American citizen five years later. His sculptures epitomize the ideals of the Art Deco decades: comprised of sleek lines and smooth surfaces, the streamlined compositions reflect the new technological forms of the machine age. Despite their modernist treatment, Lovet-Lorski’s elegant, stylized figures reference both ancient and classical sources and are characterized by a universal and serene sensibility. Concentrating on figural busts, familial groups, and standing female nudes as his subject matter, the artist rendered them in a variety of media. The materials range from the traditional bronze and marble to exotic woods and unusual stones; each is carefully selected so that its surface texture and color contribute to the emotive aura of the work. Carved out of a block of limestone, Untitled (Head) depicts a female visage nearly androgynous in its idealization. The delicate features of her face, the long, straight nose, thin pursed lips and high cheekbones, are made even more diminutive by the massive bulk of the stone that serves as their backdrop. The prominent widow’s peak of her hairline and the strong arch of her brow, two of Lovet-Lorski’s most distinctive characteristics, are elongated to accentuate the linear rhythms of the composition. The layers of her hair are delineated by stepped striations reminiscent of archaic precedents, which meld into structural columns and connect the form architecturally to the stone’s mass. Unlike the majority of Lovet-Lorski’s sculptures, in which the heads of the figures are tilted to the side or downward to convey a pensive mood, the woman in Untitled (Head) looks straight ahead. Her frontal positioning gives the composition a nearly perfect symmetry, in turn endowing the work with a still, eternal sensibility. The notched surface of the surrounding limestone stands in sharp contrast to the smoothness of her skin. In the twenties, the artist tended to finish his sculptures to a highly polished degree of refinement, but in the thirties he began to experiment with contrasts of texture and the aesthetic of the fragment. In this respect, the work is vaguely evocative of Egyptian funerary sculptures, in which the figures were carved with an eye for three-dimensionality but were left intact in a larger piece of stone to give them physical durability and permanence. Embodying classical ideals of stoicism and universal beauty, the sculpture ultimately exudes a surface allure that is difficult to resist. A similar example of this approach can be seen in the 1937 sculpture Diana, which resides in the permanent collection of the Hirshhorn Museum and Sculpture Garden, Washington D.C. Carved from a piece of black Belgian marble, the work is a stylized bust of the Greek goddess Diana...

By Mark P. Williamson 17" x 8" x 6" Limestone

Finely carved mythological subject in white Carrara marble of Apollo head . Measurements: Statues cm 150, base cm 85.

Monumental classically draped female figures and their distinguishing symbols on a square base. Autumn, winter, spring and summer. Measures: Heig...

Bronze sculpture of a horse carrying a woman - The sculpture portrays the love and intimate harmony between horse and girl. About the Gallery: Folly and Muse was established in 2015...

Pilgrim or saint Jacques figure in sculpted and polychromed limestone. He holds a calabash in his left hand. He probably held the pilgrim's staff in his missing right hand. Very beau...

This rare capital of the first Romanesque art presents an ox mask on one side, a monster mask on the adjacent side and two rosettes on the other sides. ...

Four Caryatids sculptures with classically draped figures and their distinguishing symbols. Autumn, winter, spring and summer. Measures: Height wi...

ed.3/10 Currently based in Frome, Somerset, Sara Ingleby-Mackenzie graduated with a First Class Honours Degree in Sculpture from the Bath Academy of Art. Having studied under Ken Hu...

Finely carved mythological subject in limestone with Cornucopia associated with the harvest, prosperity, or spiritual abundance. Excellent condition. Measurements: Statue cm 160, ba...

Finely carved mythological subject in limestone with Cornucopia associated with the harvest, prosperity, or spiritual abundance. Excellent condition from an estate of Veneto. Measur...

Finely carved mythological subject in Lecce limestone of Aria a Roman Goddness . Excellent condition from an estate of Veneto. Measurements: Statue cm 160, base cm 85.

This reproduction of a classical Hellenistic sculpture of Hercules . A timeless piece for interior and a garden decoration. We can raise with a base on request .

PROVENANCE Louis de Clercq (1836-1901), Paris Nicolas Koutoulakis (1910-1996), Paris and Geneva; thence by descent to the present owner LITERATURE A. de Rid...

Four Term Figure sculptures with classically draped figures and their distinguishing symbols in carved Vicenza stone. Autumn, winter, spring and summer. Measures: Height with squar...

Finely carved mythological subject in Vicenza limestone of Apollo and Minerva Excellent condition from an estate of Veneto. Measurements: Statues cm 150, base cm 85.

Finely carved mythological subject in limestone with Cornucopia associated with the harvest, prosperity, or spiritual abundance. Excellent condition from an estate of Veneto. Measur...

Listening, bronze sculpture, childs portrait, limestone base, contemporary limited edition bronze

Bronze on a white limestone base. Tim Rawlins is a contemplative artist who explores the idea of self & identity. In this piece it's almost as if the soul has been laid bare allowin...

The Music - Sculpture is a magnificent artwork realized by the Italian artist Benedetto Robazza (Rome, 1936-2020). Travertine sculpture realized by the fusion of auburn pewter. Limited edition of 15 exemplars. Dimensions: cm 11 x 11 x 3 (base); cm 9 x 5 x 32 (sculpture). Very good conditions. This sculpture is a splendid creation by one of the most appreciated sculptors all over the world. Bendetto Robazza was a great sculptor but also a talented portrait painter, demanded among the politicians, people in finance, the military, ecclesiastical and showbusiness world: he had the honour of being invited to portray American President Regan, whose bust is displayed in in the prestigious Roosevelt room in the White House. He enjoyed portraying big stars of yesterday and today: Rudolf Valentino...

This reproduction of a classical Hellenistic sculpture of Hercules . A timeless piece for interior and a garden decoration. We can raise with a base on request .

Complete Stone Heads Portfolio. Consists of 4 slabs made of limestone inlaid with patinated bronze and 4 slabs made of slate inlaid with anodised aluminum. ...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Finely carved mythological subject in Vicenza limestone of Apollo in Excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: St...

Houben R.T is an Avant-garde painter and draftsman with his own unmistakable voice. Houben was born in Bulgaria and graduated with a degree in painting from the Conservative Art Acad...